Coate Stone Circle, circa 2001

Richard Jefferies was the first person to document the Coate stone circle. In his ‘History of Swindon’ in an article published in the North Wiltshire Herald on 9 November 1867. He wrote:

 The road from Coate makes a wide semi-circle round to Chisledon. Day-house Lane cuts off the angle, and was formerly much used, until the road was widened and macadamised. There may be seen on the left side of Day-house Lane, exactly opposite the entrance to a pen on Dayhouse Farm, five Sarsden stones, much sunk in the ground, but forming a semi-circle of which the lane is the base-line or tangent. There was a sixth upon the edge of the lane, but it was blown up and removed, in order to make the road more serviceable, a few years ago. Whether this was or was not one of those circles known as Druidical, cannot now be determined, but it wears that appearance. It would seem that the modern lane had cut right through the circle, destroying all vestige of one half of it. In the next field, known as the Plain, lies, near the footpath across the fields to Chisledon, another Sarsden of enormous size, with two smaller satellites of the same stone close by. If the semi-circle just spoken of was a work of the Druids, or of the description known as Druidical, which some think a very different thing, it may be just possible that these detached stones in the Plain had some connection with it.

The Coate Stone Circle was listed as a Scheduled Ancient Monument in 1955 but a photograph, dated 31 March 2019, that accompanied the listing brought no joy or comfort. It shows the same field as above but with the housing estate that is now being built at Coate/Badbury Wick. 

Ben Ellwood, Historic England, 31 March 2019

More thoughts on this tragedy can be read here:

Memorial Direction Indicator at Coate Water

 

 

‘Bursting of the Canal at Coate. Great Alarm in the District'

 

The changing face of the Old House at Coate

 A new illustrated guide, that looks at the changes to the front of the Jefferies' family dwelling house can be accessed here. The images are collected from original drawings/paintings, newspaper articles, and postcards and include the following -- the first dating from around 1845.

New Richard Jefferies Society website expected soon

Oil painting of Liddington Hill by David Brackston, 2010, courtesy of Jean Saunders

Please note that the Richard Jefferies Society (RJS) is in the process of building a new website that will link to the domain name richardjefferiessociety.org that currently redirects to this blog.

There might be temporary disruptions with links until the new website goes live. 

This blog will remain available as an archive of material related to Richard Jefferies but independent of the RJS. It was built and maintained, using Google's free blogger programme, by a former RJS Honorary Secretary (2005-2025) and will be updated by her. 

The blog has proved to be a valuable source of information and has had half-a-million views from all around the world. 

Contributions of suitable and appropriate archive files will be most welcome.

Thank you for your support.

Richard Jefferies died 139 years ago on 14 August 1887

 

The first memorial plaque to be added at the Old House at Coate read ‘BIRTHPLACE of RICHARD JEFFERIES BORN NOVEMBER 6TH 1848’ and was set into the garden wall next to the gothic gate. Thanks to the North Wilts Field and Camera Club the plaque, made of Aberdeen granite, was unveiled at a small ceremony on 6 June 1903. In his speech Nevil Story Maskelyne read the inscription on the tablet. He said that 

'it did not record the date of his death, for he was not really dead to us; his name would live immortal.'

Richard Jefferies and His Home in Wiltshire

This article by Bertha Newcombe (1857-1947. A suffragette and socialist) was published in Sylvia's Journal, March 1894. 

A Peculiarly English Genius Vol. IV to be published 6 November 2026

 

The fourth and final volume of this biography by the President of the Richard Jefferies Society covers Jefferies’ last five years from July 1882, when he moved with his family to Hove in East Sussex, until his death at Goring-by-Sea in August 1887, years that saw the reactivation of the tuberculosis that was to kill him, years of often intense physical suffering and mental anguish, during which Jefferies fought a heroic but losing battle against what he called the three giants of Disease, Despair, and Poverty. His woes were immeasurably compounded when in March 1885 he lost his infant son, Oliver Launcelot, to meningitis. His grief was such that he was unable to attend the funeral.

Illness caught Jefferies in a vicious spiral. It severely reduced his earning capacity by confining him indoors for long periods. As he told C.P. Scott, for whom he wrote a short history of his illness, he was entirely dependent on being in the open air, in direct contact with nature for inspiration. Doctors’ fees quickly eroded his savings, so that he began a slow but ineluctable slide into penury, a slide only temporarily halted by a grant of £100 from the Royal Literary Fund. Towards the end he became so weak that he was unable to use a pen and dictated to his devoted wife Jessie, who acted as his amanuensis.

Yet these were also the years in which, by a triumph of the human spirit over adversity, Jefferies produced his very finest work, including his masterpiece, the short volume of spiritual autobiography titled The Story of My Heart (1883), the cornerstone of his oeuvre. In it, Jefferies recounts the various stages of his spiritual progress from the time when, as a youth in his late teens, alone on a hill three miles from his home in his native Wiltshire, he received his illumination, a vision of eternity. In language of great freshness and purity, he describes his rapturous communion with sun, sky, stars, sea, and down, and his vision of a world free from want and needless toil.

In the final chapter Rossabi surveys Jefferies’ fluctuating reputation since his death and proposes reasons why he remains worth reading in the twenty-first century, why indeed his message remains more urgent than ever before.

WATCH THIS SPACE FOR MORE INFORMATION. PUBLICATION DATE: 6 NOVEMBER 2026 -- Jefferies 178th birthday anniversay.

The Earth Prayer

'The Earth Prayer' was the title that Samuel J Looker gave to this poem in Jefferies' hand. Looker published it in the Chronicles of the Hedges in 1948 along with the comment that it 'is obviously part of the feeling that inspired the writing of The Story of My Heart' (i.e. the opening passage). 

N.B. Jefferies writes beautiful poetic prose. Forgive his clumsy attempts at poetry. 

                             Imaginative water colour of Liddington Hill by Jane Muir FCSD

 

12 July 2026 marks the centenary of Jessie Jefferies' death

 

Jessie Jefferies

The July Fly

 

The following extract comes from 'The July Grass' first published on 24 July 1886 in the Pall Mall Gazette and later collected in Field and Hedgerow. The "July fly", described by Jefferies, is the pretty burnet moth [a day-flying moth] and the birdsfoot "lotus" is birdsfoot trefoil that he would have seen in the meadows. 

Nature Notes in June

 

Samuel Looker transcribed the following page of un-dated notes by Jefferies and published them in Field and Farm with the title Bird Notes in June.

Wayland Smith's cave

 

                                 photo courtesy of Tom Saunders

Richard Jefferies wrote about the Wayland Smithy (just off the Ridgeway) in an article for the North Wilts Herald published on 2 November 1867. He wrote under the name 'Geoffrey' and there were eight articles in all as part of his 'History of Swindon and Antiquities of its Environs' that was later published as Jefferies Land and edited by Grace Toplis in 1896.

It also featured as the dolmen in Greene Ferne Farm.

 

                                                                                  photo courtesy of Hedley Thorne

Richard Jefferies memorial elm in Tolworth

Andrew Rossabi (President of the Richard Jefferies Society) gave a talk at Surbiton Library on Richard Jefferies’ Tolworth years on 26 September 2018. It was a beautiful sunny day and this memorable occasion was followed by a walk to the Richard Jefferies Bird Sanctuary where a young English elm sapling, that was Dutch elm disease-resistant, was planted as a Jefferies’ memorial in The Wood next to the Sanctuary fence and behind Surbiton Station.

'The Pageant of Summer' as an Epic Found-poem

Richard Jefferies' footstone on his grave in Broadwater Cemetery, Worthing describes him as the 'Prose Poet of England's fields and woodlands'.  Never could there be a better example of how well his prose reads beautifully as lyrical poetry as in his glorious essay 'The Pageant of Summer' that was collected in The Life of the Fields (1884).

R.D. Stapleford has introduced and edited the essay (in May 2026) and expressed it as an epic found-poem (click on the link to read in full) that begins:

Green rushes, long and thick,

Standing up above the edge of the ditch,

Told the hour of the year

As distinctly as the shadow

 

THE LOST ELMS wins top literary prize for Nature writing

Mandy Haggith was announced today (7 May 2026) as the winner of the Richard Jefferies Award for the best nature writing issued in 2025 for her book The Lost Elms published by Wildfire, an imprint of Headline Publishing Group Limited.
   

Walk around Tolworth 6 June 2026

 This guided walk, in the footsteps of Richard Jefferies' Tolworth years, will be led by local ecologist and Richard Jefferies Society member, Alison Fure. 

Please note that you need to book a place if you wish to attend. Numbers are limited for insurance reasons. Email bentonbat@gmail.com.

An Ecological Vision of Earth

 

New meeting room for the Richard Jefferies Museum

 Please help towards funding a new meeting room at the Richard Jefferies Museum. 

Artist's impression of the proposed building.

Richard Jefferies Society AGM and Spring Lecture